mostra serial classic fondazione prada | Serial Classic

2024-11-21T11:21:52 | By mansfield square f770 , DOD blog

mostra serial classic fondazione prada | Serial Classic mostra serial classic fondazione prada ‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in . The total flight duration from New York, NY to Las Vegas, NV is 4 hours, 58 minutes. This is the average in-air flight time (wheels up to wheels down on the runway) based on actual flights taken over the past year, including routes like EWR to LAS .

0 · Serial and Portable Classics — 2x4
1 · Serial Classic at Fondazione Prada Milan
2 · Serial Classic
3 · SERIAL CLASSIC – Fondazione Prada
4 · SERIAL CLASSIC
5 · Fondazione Prada's Serial Classic
6 · Fondazione Prada campus, Milan / OMA

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La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, è dedicata alla scultura classica ed esplora il rapporto ambivalente tra originalità e imitazione nella cultura romana e il suo insistere sulla diffusione di multipli .Serial Classic (Milan, May 9-August 24) is an exhibition curated by Salvatore Settis and designed by OMA for Fondazione Prada. Occupying the Podium of the new Milanese complex, Serial . Exhibition ‘Serial Classic’,co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality . ‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in .

Serial and Portable Classics — 2x4

Serial Classic at Fondazione Prada Milan

Serial Classic

To coincide with the opening of the new venue, OMA has designed two exhibitions for Fondazione Prada: Serial Classic (Milan, May 9–August 24) .

Serial Classic: Multiplying Art in Greece & Rome (May 9th – August 24th, 2015) conceived by Salvatore Settis. Analyzes the themes of seriality and copy in cl.The opening of the new Fondazione Prada Headquarters in Milan highlighted two major related exhibitions: Serial Classic on-site in Milan and Portable Classic at Ca’ Corner in Venice. These .Exhibition ‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in .Ca’ Corner della Regina, Santa Croce 2215 30135 Venice t. +39 041 810 9161 [email protected]

Serial Classic will be the first exhibition in the newly opened exhibition space of Fondazione Prada in Milan. It focuses on classical sculpture and explores the ambivalent relationship between .sua natura, le sue funzioni e il suo destino. “Serial Classic”, presentata a Milano negli spazi espositivi della Fondazione Prada progettati da Rem Koolhaas, si apre con un’assenza: i frammenti di statue bronzee di età classica dagli scavi di Olimpia raccolti in una vetrina rappresentano icasticamente un vuoto, una perdita, un lutto.

Ca’ Corner della Regina, Santa Croce 2215 30135 Venice t. +39 041 810 9161 [email protected]Preface by Miuccia Prada and Patrizio Bertelli; introductory essay by Salvatore Settis; texts by Anna Anguissola, Michael Bennett, Vinzenz Brinkmann, Kathleen W. Christian, Maurizio Ferraris, Daniela Gallo, Davide Gasparotto, Carlo Gasparri, Tonio Hölscher, Rem Koolhaas, Lothar Ledderose, Maria H. Loh, Jan Stubbe Østergaard, Claudio Parisi .FONDAZIONE PRADA PRESENTA LA MOSTRA “RECYCLING BEAUTY”, A CURA DI SALVATORE SETTIS, DAL 17 NOVEMBRE 2022 AL 27 FEBBRAIO 2023 . Milano, 14 ottobre 2022 – Fondazione Prada presenta “Recycling Beauty”, una mostra a cura . acrilico, ad esempio, sono state utilizzate per la prima volta nel 2015 per “Serial Classic” e44 la Biblioteca di via Senato Milano – luglio / agosto 2015 LA MOSTRA/2 SERIAL/PORTABLE CLASSIC A Venezia e a Milano P ensare una mostra di arte antica comporta il ricorso a una competenza complessa: è indispensabile misurarsi con la distanza nel tempo e, soprattutto, con la distorsione e il riuso che i secoli hanno fatto della categoria del “Classico”. È una storia .

Esposto alla Fondazione Prada presenta la produzione di una replica esatta del Riace “A” realizzata appositamente per questa mostra. La replica in bronzo creata da Vinzenz ed Ulrike Brinkmann, è stata fusa sulla base di una stampa 3D tratta dall’originale. Il trattamento delle superfici è stato eseguito secondo criteriQuesto testo è un estratto dal saggio di Salvatore Settis che apre il catalogo “Serial / Portable Classic - The Greek Canon and its Mutations”, pubblicato nel 2015 da Fondazione Prada. La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissòla, era dedicata alla scultura classica ed esplorava il rapporto ambivalente . 744 talking about this. Since 1993 an institution interested in ideas, considering culture useful, attractive. Photograph by Bas Princen, Courtesy of Fondazione Prada. To coincide with the opening of the new venue, OMA has designed two exhibitions for Fondazione Prada: Serial Classic (Milan, May 9–August 24) and Portable Classic (Venice, May 9–September 13).Curated by Salvatore Settis, Serial Classic will occupy the Podium while Portable Classic will be held at .

Portable Classic. Ancient Greece to Modern Europe (Venice, May 9–September 13) is an exhibition curated by Salvatore Settis and designed by OMA for Fondazione Prada.Taking place in Ca’ Corner della Regina, the show investigates the reception of classical sculpture from the illuminating perspective of reduced-size copies of masterpieces.Salvatore Settis talks about exhibitions "Serial Classic" (at Fondazione Prada in Milan) and "Portable Classic" (at Fondazione Prada in Venice).

Elmgreen & Dragset in a synchronic constellation. Inspired by Fondazione Prada’s inaugural exhibition “Serial Classic,” curated by Salvatore Settis and designed by Rem Koolhaas in 2015, this juxtaposition of contemporary and historic sculptures shows both similarities and

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La Fondazione Prada è stata creata nel 1993 come luogo di analisi del presente attraverso . La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, è aperta a Milano dal 9 maggio al 24 agosto 2015 e occupa i due livelli del Podium. “Serial Classic” èLa mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, è dedicata alla scultura classica ed esplora il rapporto ambivalente tra originalità e imitazione nella cultura romana e il suo insistere sulla diffusione di multipli come omaggi all’arte greca.Serial Classic (Milan, May 9-August 24) is an exhibition curated by Salvatore Settis and designed by OMA for Fondazione Prada. Occupying the Podium of the new Milanese complex, Serial Classic focuses on the use and reuse of classical art, and it examines issues of reproduction and display, aiming to rethink classical notions of the socle its . Exhibition ‘Serial Classic’,co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation.

‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in Roman culture and its insistence on the circulation of multiples as an homage to Greek art. To coincide with the opening of the new venue, OMA has designed two exhibitions for Fondazione Prada: Serial Classic (Milan, May 9–August 24) and Portable Classic (Venice, May 9–September 13).Serial Classic: Multiplying Art in Greece & Rome (May 9th – August 24th, 2015) conceived by Salvatore Settis. Analyzes the themes of seriality and copy in cl.

The opening of the new Fondazione Prada Headquarters in Milan highlighted two major related exhibitions: Serial Classic on-site in Milan and Portable Classic at Ca’ Corner in Venice. These shows investigate themes of seriality and scale in the Imperial Roman era and the Renaissance.Exhibition ‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in Roman culture and its insistence on the circulation of multiples as an homage to Greek art.Ca’ Corner della Regina, Santa Croce 2215 30135 Venice t. +39 041 810 9161 [email protected]

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